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Subject: Fwd: Callas and Gardel
From: Michael L <[log in to unmask]>
Reply-To:Michael L <[log in to unmask]>
Date:Fri, 25 Dec 1998 11:40:32 PST

text/plain (50 lines)

I found MF Lang's note to be very interesting. I'm a huge fan of tango
music, although frankly I'll take Piazzola over Gardel....

As for the Callas-Gardel connection, I am forwarding M.F. Lang's e-mail
to a friend who's quite knowledgable on opera in Latin America. I
personally think that

a) Callas voice had natural limits, i.e. she was not able, many times,
to produce high notes properly.

b) Callas ruined her voice because she abused her voice by trying to
sing too many roles in too many genres.  (Just like Alagna, Vaness, and
Larmore, to name a few, are currently ruining their voices today by
trying to do too many roles as well as trying to cross over to more
spinto/dramatic roles)

Anybody care to agree/or disagree with me re b)?

----Original Message Follows----
Date:         Fri, 25 Dec 1998 11:50:07 +0000
Reply-To:     "M.F. Lang" <[log in to unmask]>
From:         "M.F. Lang" <[log in to unmask]>
Subject:      Callas and Gardel
To:           [log in to unmask]

Alma H. Bond's Callas Autobiography (Birch Brook Press, New York 98) is
throwing new light on Callas, her career, and her vocal technique. An
intersting revelation is Callas's disposition to take on the role of
Salome, deterred not by her heavy legs, but by her relectuance to
the dances of the Seven Veils. Even more interesting is that the author
shows Mme C's fascination for the tango and her veneration of Carlos
Gardel. This may well explain part of her considerable vocal
described by a host of critics such as Nigel Douglas (Legendary Voices)
by Alma Bond herself in many pages of her book. Gardel was a
French-Hispanic songster who made much use of the rasp and nasality in
vocal effects, features which strong mark also the singing of Mme
especially in the second part of her career. Callas scholars may well
consider investigating this Gardel dimension with a view to providing a
satisfactory explanation of this singers precipitous decline and
unconventional vocal mthod..

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