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Subject: Re: Trittico (excerpts) from the Met as heard on WQXR today.
From: Michael Delos <[log in to unmask]>
Reply-To:Michael Delos <[log in to unmask]>
Date:Sat, 8 Dec 2018 19:25:00 -0500

text/plain (77 lines)

I thought Alvarez was going to burst a blood vessel - my god, that's some of the most 
awful singing I've ever heard on a broadcast.  He was essentially just screaming 
everything above a G. In general, there were a lot of frayed voices throughout the 
afternoon.  TABARRO has no drama other than the last 5 minutes, and it needs all the 
help it can get as it swims through endless FANCIULLA parlando with no melody that 
stays in the ear.  Gripping performances can make it seem better than it is, but today 
was simply dreadful. 

SUOR with a soprano who doesn't have a free top is a LONG 50 minutes. 

SCHICCHI fared best, though the tenor was over-parted. Domingo
was fine, if you don't care that he's not a baritone. Arguably it's the least 
objectionable role his baritone list, as no one expects Schicchi to be a singer
in the grand line - it's a buffo part and could almost be sung sprechstimme and still 
make it's effect. 

NOT one of the Mets finest hours. . . . 

On Sat, 8 Dec 2018 17:35:08 -0500, Bob Rideout <[log in to unmask]> wrote:

>Hello everybody
>I did not give it my undivided attention, but I do have a few
>observations -
>Tabarro - Amber Wagner nailed the top C, and nothing else.
>Even it was screamy, but it found its mark. I heard little of Alvarez,
>andvwhat ai heard of Gagnidze, left me wishing I had heard less
>of him. Not a good opener!
>Suor Angelica - Worse! Opalais never had much going for her
>except her looks, and today was no exception. Her voice defines
>"worn" and the top is just about non existent. You cannot cast this
>role in that kind of shape. I did not hear the Principessa section.
>What a disappointing ending to what is, when well vocalized, a
>cathartic finale!
>Gianni Scicchi - Lauretta and Rinuccio brought little to their
>music, and Rinuccio (Attala Ayan) was a study in how to oversing
>with obvious strain. She was better than that and she also had solid
>top notes. Placido Domingo remains a miracle of steady tone, rock
>solid intonation and textual awareness. He was the best thing about
>the afternoon, by far, except for the music, which is superb,
>from the opening notes of Tabarro to the last moments of Schicchi.
>De Billy's conducting and the ensembles were fine!
>I was happy enough just to hear the genius that is Puccini!
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