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Subject: Re: The Return of Maria Callas
From: Stephen Charitan <[log in to unmask]>
Reply-To:Stephen Charitan <[log in to unmask]>
Date:Sat, 1 Dec 2018 18:19:42 -0500
Content-Type:text/plain
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Frank

Has it really just dawned on you after all these years that one of the
prime virtues of Opera L is the resuscitation of the long dead or the
walking dead?  Perhaps a change in medication - or better yet, "pack up
your troubles" and move to a more congenial arrondissement!

ec

On Sat, Dec 1, 2018 at 5:45 PM Frank Cadenhead <[log in to unmask]> wrote:

> No point particular but, as I indicated to another poster, someone
> somewhere is likely well into constructing a robot who can sing. And then
> there is the gene manipulation scandal (of yesterday?) which makes me
> wonder how easy it would be to create a human with special, specific vocal
> abilities. Months? Years?
>
> Frank Cadenhead
>
> > Message du 30/11/18 22:45
> > De : "ombrarecds"
> > A : "Frank Cadenhead"
> > Copie à : [log in to unmask]
> > Objet : Re: The Return of Maria Callas
>
> > And your point?
> > PCB
> >
> > > On Nov 30, 2018, at 11:34 AM, Frank Cadenhead  wrote:
> > >
> > > Dead and dying artists seem to be the main focus on Opera-l these days
> and I am
> > > surprised that you all missed the return of Maria Callas to the Salle
> Pleyel on
> > > Wednesday. The house was packed of course when La Divina appeared. She
> sang
> > > with a Scottish conductor Elmear Noone and his 60 piece orchestra.
> Nobody
> > > seemed to care that she was a hologram and the cheers and applause was
> long
> > > and ecstatic.
> > >
> > > Frank Cadenhead
> > >
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