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Subject: Re: NYT on Salzburg Salome with some explanations from Castelucci
From: ekaterina usilova <[log in to unmask]>
Reply-To:ekaterina usilova <[log in to unmask]>
Date:Sun, 12 Aug 2018 07:27:37 +0000
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I guess.. But he seems to like the idea of spectators having to think and decypher things.  As for decyphering,  I still can't really figure out the point of the horse and red paint on the faces... oh well..

Ekaterina
--------------------------------------------
On Wed, 8/8/18, Jon Goldberg <[log in to unmask]> wrote:

 Subject: Re: NYT on Salzburg Salome with some explanations from Castelucci
 To: [log in to unmask]
 Date: Wednesday, August 8, 2018, 6:07 PM
 
 Well, first off, the more than has to be
 *explained*, the less effective it is. (Like, if you 
 have to explain a joke, was it worth
 telling?)
 
 Second, I feel that most of what
 Castellucci tries to explain winds up as utter 
 masturbatory regie bullshit. My
 opinion, of course.
 
 
 
 
 On Wed, 8 Aug 2018 08:14:09 +0000,
 ekaterina usilova <[log in to unmask]>
 wrote:
 
 >Sorry, my previous message got sent
 before I wrote it :-).
 >
 >Here is an NYT article on the
 production, i cluding Castelucci explaining some of the 
 things pople have been wondering
 about:
 >
 >
 >https://www.nytimes.com/2018/08/03/arts/music/salome-strauss-salzburg-
 castellucci.html
 >
 >Regards,
 >
 >Ekaterina
 >--------------------------------------------
 >On Wed, 8/8/18, ekaterina usilova
 <[log in to unmask]>
 wrote:
 >
 > Subject: NYT on Salzburg Salome
 with some explanations from Castelucci
 > To: [log in to unmask]
 > Date: Wednesday, August 8, 2018,
 11:09 AM
 >
 >
 >
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