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Subject: Re: Plot failures (was perfect operas)
From: "G. Paul Padillo" <[log in to unmask]>
Reply-To:G. Paul Padillo
Date:Fri, 10 Aug 2018 13:32:58 -0400

text/plain (41 lines)

On Fri, 10 Aug 2018 16:58:35 +0000, Rich Lowenthal wrote (in part):

"So it's not really a matter of Verdi, Mozart, etc. seeing past the deficiencies, for 
to them it was not a deficiency at all, merely the way theater was."

I thought I was, but may not have been clear:  i stated 'perceived deficiencies," 
meaning on the part of list members finding the plots silly or trivial,not on the 
part of the composers.  

Every era has its theatrical conventions (and every other kind of convention) and, 
while not necessary for audiences to keep up with them, many, if not most who 
purport to love and enjoy theatre might do well to look into the conventions of 
whatever piece they're approaching.  We have many repertory companies that put 
on plays from every era, including Sanskrit, ancient Greek,Restora Kabuki . . . not 
to mention . . . y'know, Billy Shakespeare.  While an audience member has every 
right to expect to be entertained for the mere fact of having purchased a ticket, 
they should not expect to be spoon fed, nor to leave their brain at the door.  ALL 
theatre demands something from its audience. 

Trovatore . . . and many more great operas have been around for centuries.  If 
someone with a lifetime of opera going STILL has problems keeping fromcracking 
up over "perceived" deficiencies in the tales accompanying these wondrous works, 
it might be time to examine exactly why these works continue to sell, are still 
performed and revered by so many, audiences, scholars, and performers alike.   



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