LISTSERV mailing list manager LISTSERV 15.5

Help for OPERA-L Archives

OPERA-L Archives

OPERA-L Archives


Next Message | Previous Message
Next in Topic | Previous in Topic
Next by Same Author | Previous by Same Author
Chronologically | Most Recent First
Proportional Font | Monospaced Font


Join or Leave OPERA-L
Reply | Post New Message
Search Archives




Rich Lowenthal <[log in to unmask]>


Rich Lowenthal <[log in to unmask]>


Mon, 11 Jun 2018 15:25:55 +0000





text/plain (1 lines)

Apologies but your memory is not quite right. There were two bills in
the NY assembly, one that would have empowered the city to purchase the
opera house from the Met and lease it to a private foundation. The
second bill created a nonprofit corporation to buy and rebuild the old
Met, the corporation trustees to be named by Mayor Lindsay. This second
bill was approved by the state senate and house and signed by
Rockefeller on June 24, 1966. Lindsay named the trustees (including
Licia Albanese), but they decided in August that they could not continue
the fight in good faith for a number of reasons, including
- the need to raise the purchase price (estimated at $8-12 million) in
only five months
- the strength of the opposing forces
- costly lawsuits brought by the Met and by Keystone Associates
- a decision by the city that the corporation would be responsible for
taxes on the property

The bill creating the corporation was also ruled unconstitutional by two
state courts, decisions upheld by the State Court of Appeals at the end
of 1966. At that point there were really no options left for those who
opposed the destruction of the old house.

There was a concerted effort--both in the arts and among political
leaders--to save the house; it was just not as strong as the forces
trying to tear it down.

------ Original Message ------
From: "RAYMOND GOUIN" <[log in to unmask]>
To: [log in to unmask]
Sent: 6/11/2018 11:00:54 AM

>I was briefly involved in the attempts to save the old Met. Of greater
>import, I was in close proximity to the Met’s management during the
>1960s so I can write based upon knowledge and not speculation or
>The condition of the old house had no bearing on whether to save it or
>not. Neither did the ideas of the day with regard to the saving of old
>and historically important structures. Also, while the need to generate
>income from the structure that would replace the old Met was of some
>import, it was given much greater weight than it actually had so as to
>serve as a fig leaf to cover the actual motivation behind the Met’s
>decision to tear down the old house.
>That decision was near exclusively based upon the fear that – if
>allowed to remain standing – the Met would face stiff competition from
>another opera company that would ensconce itself in a newly refurbished
>old house where the Met would not only have to compete with another
>opera company having a venue where it could compete on near equal terms
>with the productions at Lincoln Center, but also where the Met would
>have to compete with itself in the form of the cachet, history and
>sentiment attached to the Met’s 75 year occupancy of the old building.
>To exacerbate the situation, there was subsequent confirmation from
>sources as to several potential competitors – at least two of which had
>credibility or viability – who, through the years, expressed an
>interest in taking over the old Met so as to give reasonable credence
>or substance to the Met’s fears.
>As a result of that fear, the Met organized and developed a highly
>effective lobbying effort to assure that there would be no government
>support of any “sentimental” effort to “save the old house” (the words
>of the Met’s management, not mine).
>The Met’s lobbying effort in this regard began in 1955 and achieved
>positive results as early as 1956. Thereafter, the Met would not even
>consider exploring the possibilities of moving to a new location
>(including other locations speculated upon prior to Lincoln Center)
>without the acceptance as a precondition to its consideration agreement
>that the old Met would be torn down.
>That is why, when the Lincoln Center move became a reality, there was
>no active or actual political support to save the old house, a
>prerequisite to any chance of success in that endeavor. None came from
>the City of New York. None came from any individuals of import in the
>state government. The only action that was taken was in the form of a
>courtesy bill filed in the General Assembly by an upstate legislator at
>the request of two of his constituents, which bill died in the Assembly
>without any support from the legislators.
>It was my knowledge of the above which led to the brevity of my
>participation in the save the old Met campaign – by the time that
>campaign began -- spurred by the pending move to Lincoln Center -- the
>Met already had a ten year history of successfully lobbying and
>obtaining commitments from those in power to guarantee that the
>building would be torn down.
>Best from Boston.
>Ray Gouin

OPERA-L on Facebook:
To UNSUBSCRIBE, send a message to [log in to unmask]
containing only the words: SIGNOFF OPERA-L
To stay subscribed but TURN OFF mail, send a message to
[log in to unmask] containing only the words: SET OPERA-L NOMAIL
Modify your settings:

Back to: Top of Message | Previous Page | Main OPERA-L Page



CataList Email List Search Powered by the LISTSERV Email List Manager