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Subject: Re: Met «Aida» Next Season
From: Ombrarecds <[log in to unmask]>
Reply-To:Ombrarecds <[log in to unmask]>
Date:Tue, 20 Feb 2018 10:13:04 -0600
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The Nile scene, the judgement scene, the tomb scene? Radames is very important. Corelli and Simionato. This opera is a love triangle. Three!

Patrick Byrne

Sent from my iPhone

> On Feb 20, 2018, at 9:26 AM, Larry Kellum <[log in to unmask]> wrote:
> 
> WHO cares???? Seriously, not to degrade radames................but it
> is HER opera, w/ an Amneris from hell that can run away w/ the evening
> w/ a powerfulhouse/double high B judgement scene!!! Saw the best/heard
> the best from Cossottto, Horne, Berini, Obratsova, video of
> Dimitrova,,,,reason why Verdi almost wanted to call the opera
> Amneris.........................radames number 3 of
> importance..................Larry
> 
>> On Thu, Feb 15, 2018 at 3:55 PM, Alain Letort <[log in to unmask]> wrote:
>> Dear Listers,
>> 
>> Three or four years ago Lynne Price and I saw a very disappointing «Aida» at the Met.  It
>> was disappointing largely because of Marcello Giordani, whose voice was in tatters.  It was
>> painful.
>> 
>> I would like to go back next season and see «Aida» again at Met, hopefully with a decent
>> (can one hope for good?) tenor.  The Met has announced two tenors in the role of Radamès,
>> Aleksandrs Antonenko and Yonghoon Lee.
>> 
>> I have absolutely no interest whatsoever in seeing Yonghoon Lee, which leaves only
>> Aleksandrs Antonenko, whom I have never heard.
>> 
>> Have any Listers heard Mr. Antonenko before?  I understand he sang Otello at Met in 2105-
>> 2016.  Other Verdi roles in Mr. Antonenko’s repertoire include Otello at the Royal Opera
>> House, Radamès at Opernhaus Zürich, Manrico at the Berlin Staatsoper, and Calaf and
>> Ismaele at La Scala.
>> 
>> Has anyone on the List heard him as Radamès?
>> 
>> Cheers and all the best,
>> 
>> Alain
>> 
>> Alain Letort
>> Washington, D.C.
>> Des Ungeheuers Höhle
>> 
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