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Subject: Re: Extra Long Musical Introductions to Arias
From: ANGELO MAMMANO <[log in to unmask]>
Reply-To:ANGELO MAMMANO <[log in to unmask]>
Date:Thu, 1 Feb 2018 22:12:06 -0500
Content-Type:text/plain
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text/plain (198 lines)


One that has not been mentioned is the long introduction to

"Come in quest'ora bruna".  If you listen carefully you can hear

the waves rippling on the shores of Genoa.  Beautiful!


Angelo from Boston



> On February 1, 2018 at 8:41 PM Maxwell Paley wrote:
> 
> 
>     Sometimes the Prelude to an act is also the introduction to an aria and those will tend to be longer. That’s true of “Tu, che le vanita” and “Dich teure Halle” already mentioned and snother of my favorites. “Ecco l’orrido campo.”
> 
>     I guess that’s also true of the tenor arias that open the second acts of “Rigoletto” and “La Traviata.”
> 
>     Max Paley
> 
>     Sent from my iPhone
> 
>         > > On Feb 1, 2018, at 16:31, daaaac wrote:
> > 
> >         Boccanegra: Come in quest'ora bruna
> > 
> >             > > > On Feb 1, 2018, at 7:04 PM, Les Mitnick wrote:
> > > 
> > >             I'm having one of "those" days. Freezing here, had a fender bender, and am probably not operating on all cylinders. I didn't read the initial post carefully enough. But I'm not crazy because my mother had me tested.
> > >             Les
> > > 
> > >                 > > > > On February 1, 2018 at 5:53 PM Bob Rideout wrote:
> > > > 
> > > > 
> > > >                 Les
> > > > 
> > > >                 What are you talking about? Paul made no judgments about the
> > > >                 musical value of any of these settings, nor did I. There are days
> > > >                 when.....oh, well, you fill in the blanks!
> > > > 
> > > >                 And for the record, the orchestral introduction to "Dich, teure Halle"
> > > >                 is magnificent!
> > > > 
> > > >                 Bob
> > > > 
> > > >                     > > > > > On Thu, Feb 1, 2018 at 18:46 Les Mitnick wrote:
> > > > > 
> > > > >                     Bob:
> > > > > 
> > > > >                     I agree with you about "Dich, teure Halle" totally. It's entirely
> > > > >                     too long. I cannot concur on the Verdi items. All three arias are
> > > > >                     actually "scenas" and are truly grand pieces. All three of these Verdi
> > > > >                     arias are very long (almost triple "tiered") and are tremendous test pieces
> > > > >                     for the soprano and bass. Of course, this is only my humble opinion, and
> > > > >                     it means nothing. Others may and probably will feel differently, which is
> > > > >                     fine.
> > > > > 
> > > > >                     I also love the spooky not short introduction to Ulrica's double
> > > > >                     tiered aria. Good stuff.
> > > > > 
> > > > > 
> > > > > 
> > > > >                     Les
> > > > > 
> > > > >                     On February 1, 2018 at 5:34 PM Bob Rideout wrote:
> > > > > 
> > > > > 
> > > > >                     "Tu che le vanita" - Don Carlo
> > > > >                     "Ella giammai m'amo" - Don Carlo
> > > > >                     "Dich, teure Halle" - Tannhauser
> > > > >                     "Una macchia.. (Sleepwalking Scene) - Macbeth
> > > > > 
> > > > >                     There are lots more.
> > > > > 
> > > > >                     Bob
> > > > > 
> > > > >                     On Thu, Feb 1, 2018 at 18:24 Paul Ferraro wrote:
> > > > > 
> > > > >                     Some fellow opera fans were mulling over great arias that appear to
> > > > >                     contain really long musical introductions before the actual singing
> > > > >                     finally begins. Suffering "senior moments" all I could think of were
> > > > >                     Alvaro's "o tu che in seno agli angeli", Filipo's "ella giammai m'amo"
> > > > >                     & Arturo's "a te o cara".
> > > > > 
> > > > >                     Does anyone care to recall some equally obvious long introduction
> > > > >                     selections?
> > > > > 
> > > > >                     Ciao,
> > > > > 
> > > > >                     Paolo
> > > > > 
> > > > > 
> > > > > 
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