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Subject: Re: One by one...
From: Kiwi <[log in to unmask]>
Reply-To:Kiwi <[log in to unmask]>
Date:Fri, 22 Dec 2017 07:57:05 -0500

text/plain (44 lines)

Not opera related (but it could be, if someone wanted to score the sordid 
story) but I just read a story about OJ Simpson, a man found guilty (in 
civic court) for two brutal deaths and a man sent to prison for threatening 
another with a gun and stealing for that man.

That's just the back story.

What I found remarkable is that since his release, OJ has become a celebrity 
and people can't wait to have their photos taken with him, to be seen with 
him, to speak with him--this is a convicted killer, a man who served time, 
and there are people out there who actually continue to worship him.

How does this ever happen?  What is wrong with people?

Now, to bring this back to opera, I understand there is a petition to bring 
Levine back to the Met.   Yes, I get that he didn't kill anyone and one 
could argue that the messing up of a young person's mind isn't a great crime 
(I wouldn't, but I guess some would, in fact some on this list have argued 
it is no big deal) but Levine has had an extended time on the podium during 
which the Met paid out money and hid his predilections to allow him to 
continue his baton waving.  At what point does someone become accountable 
for crimes?    Apparently, at the Met, when they are old and have a 
declining ability--and the press finally gets hold of the story.

I've read a number of articles justifying the separation of man from talent. 
Maybe.  There is also the sort of hero worship that clouds the 
sensibilities, just as with OJ Simpson.  Again, the two crimes are not the 
same but they are still crimes.  One went to prison.  One is being 
championed to return to the podium.  Is the sound of music Levine did not 
create but just performs so very important that the world will end if he 
never conducts again? 

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