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Subject: Medea/Medee (was Re: Twelve Operatic Masterpieces You May Not Know)
From: "Max D. Winter" <[log in to unmask]>
Reply-To:Max D. Winter
Date:Thu, 21 Dec 2017 14:41:33 -0500

text/plain (31 lines)

Bob Rideout wrote: 

" 'Medea' is a superb vehicle for the few who can cope with both her musical and dramatic 

But remember that the Cherubini/Lachner "Medea" in Italian, the one of which Maria Callas 
made such a meal, is quite a different opera from Cherubini's original French "Medee."  Some 
of Callas' greatest moments in "Medea" were in the Lachner recitatives and thus had nothing 
to do with Cherubini.  For example, in "Medee" Medee's entrance in Act I is all spoken 
dialogue up until Creon's rebuke ("Qui tremar devi tu" in the Italian).  And the opening of the 
3rd act ("Numi venite a me!"), in which Callas was so stunning in "Medea," is all spoken 
dialogue in the French original; Medea only starts to sing at "De trouble affreur" ("Del fiero 
duol" (in the Italian version). 

I love the Cherubini/Lachner "Medea" too, BTW - I much prefer it to the French original - but 
we need to be clear about which opera we are referring to.


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