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Subject: Re: Terfel and Tosca (was Re: Faust)
From: "G. Paul Padillo" <[log in to unmask]>
Reply-To:G. Paul Padillo
Date:Fri, 8 Dec 2017 15:46:53 -0500

text/plain (43 lines)

I’ve received several private messages on my post, suggesting that Terfel and Bondy may 
not have gotten along, and/or I am misinformed about Terfel not wanting to appear in 
Bondy’s production, one under the seemingly misguided notion Terfel’s choice of a new 
Falstaff instead of repeating Scarpia.  Who WOULDN’T want to star (a) in a lavish new 
production over a revival; and (b) choose Falstaff over Scarpia?  The opera is, after all 
called “Falstaff.’  

After Bondy's death, Terfel went out of his way to give glowing comments about the 
director, wishing there were more like him.  

I've always thought it a pity that Bondy's work was generally highly praised and prized, and 
his one "miss" was with Tosca (he dedicated his production to the memory of his father, 
whose favorite opera this was) and that most New Yorkers - or at least those whose only 
dealings with his work were with his Met Tosca, don't have a clue about what a theatrical 
master Bondy was.  

After his Met appearances, Terfel appeared in at LEAST two more revivals of the Bondy 
production:  both times in Munich, first in 2012, then again in 2016.  Reports confirmed the 
plaza being jammed with people hoping to score a ticket (having Harteros and Kaufmann in 
the show didn’t hurt either) and ovations for everyone were thunderous.  Even Bondy’s once 
reviled production – having undergone a bit of tweaking ( i.e., no more jumping dummy) 
was enthusiastically received and garnered positive reviews. 

Donald Kane didn’t care for the photos or clips I shared of the Lehnhoff production; his 
prerogative, but audiences loved and cheered the production, and the DVD is one I wouldn’t 
want to be without.  

Vive la difference. 


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