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Subject: Re: Death in Venice
From: Christopher Weimer <[log in to unmask]>
Reply-To:Christopher Weimer <[log in to unmask]>
Date:Sun, 19 Nov 2017 18:49:31 -0500

text/plain (56 lines)

I count myself lucky enough to have seen (in person, not counting videos)
two very strong productions of Death in Venice, one at ENO by Deborah Warner
with Ian Bostridge and one at Glimmerglass with William Burden.  Luckier
still, I was able to see each production twice, and would have returned yet
again if my travel plans had allowed it.  I find the work riveting and
deeply moving; at the end of the brilliant, wrenching Phaedrus aria I always
find that I've been holding my breath without realizing it.  

Christopher Weimer

On Sun, 19 Nov 2017 07:34:12 -0500, Wendell Eatherly
<[log in to unmask]> wrote:

>MDW's experience is the same as mine, though I've never been lucky enough
to see it live. 
>Listening to the 1994 broadcast on Sirius a couple of weeks ago, I was
struck again with the 
>beauty and terror of the work.
>On Sat, 18 Nov 2017 22:05:18 -0500, Max D. Winter <[log in to unmask]> wrote:
>>On the contrary, "Death in Venice" is a profound and moving work, the late
fruits of one of 
>>great composers of the 20th century.
>>I attended the Metropolitan Opera premiere of "Death in Venice" in October
1974 (with 
>>Pears as Aschenbach and John Shirley-Quirk as the Seven Nemeses).  I can't
say that I 
>>it much then, but I was nevertheless very impressed by the opera, and the
music and 
>>remain vividly in my memory.   With greater experience and maturity in the
years since 
>>I have come to appreciate "Death in Venice" for the masterpiece that it is.

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