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Subject: Re: Dialogues des Carmélites : A Brief Observation
From: Maxwell Paley <[log in to unmask]>
Reply-To:Maxwell Paley <[log in to unmask]>
Date:Mon, 6 Nov 2017 19:50:06 -0800
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That’s a performance I’d like to time travel to see.

Probably very different in sight and sound in 1982, but Price was still magnificent as Lidoine.

Max Paley

Sent from my iPhone

> On Nov 6, 2017, at 18:36, Peggy Houdek <[log in to unmask]> wrote:
> 
> I had the great experience of supering in the SF Opera American Premiere of “Carmelites”. Of course, we’d never heard of it and didn’t know what to expect.  The supers were part of the crowd scenes and I’ll never forget the first rehearsal of the last scene .  At the end, we were all, including the chorus, just speechless.  Complete silence.  That was a pretty wonderful cast:  Price, Kirsten, Thebom, Claramae Turner;  Very strong. I’ve loved it ever since.
> 
> Peggy
> 
> (,,,) ^..^(,,,)
> 
> 
> 
>> On Nov 6, 2017, at 8:50 PM, ANGELO MAMMANO <[log in to unmask]> wrote:
>> 
>> Camelites is one of the outstanding operas of the 20th century.
>> 
>> I have seen it many times and  notice that Mo. Nezet-Seguin
>> 
>> plans to conduct it during his upcoming Met tenure.
>> 
>> Both Stratas and Norman were great as Mme. Lidoine. Mitchell
>> 
>> was very good also.  I cannot forget a Boston Conservatory
>> 
>> staging many years ago when the guillotine blade was shown
>> 
>> bloodier and bloodier with each beheading.  That we didn't need.
>> 
>> 
>> Angelo from Boston
>> 
>>> On November 6, 2017 at 6:55 PM Idia Legray wrote:
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