LISTSERV mailing list manager LISTSERV 15.5

Help for OPERA-L Archives

OPERA-L Archives

OPERA-L Archives


Next Message | Previous Message
Next in Topic | Previous in Topic
Next by Same Author | Previous by Same Author
Chronologically | Most Recent First
Proportional Font | Monospaced Font


Join or Leave OPERA-L
Reply | Post New Message
Search Archives

Subject: Re: Sondheim (was Halloween)
From: Rich Lowenthal <[log in to unmask]>
Reply-To:Rich Lowenthal <[log in to unmask]>
Date:Sun, 5 Nov 2017 04:33:25 +0000

text/plain (94 lines)

Judging by how long they ran on Broadway, Sondheim's two most popular 
works are A Funny Thing Happened on the Way to the Forum and Into the 
Woods. Sondheim fans will disagree on which are his greatest works; to 
my mind, his musicals have not always been well-served by their original 
productions, and have often fared better in revival. The original 
production of Sweeney Todd, for instance, did not benefit by being 
housed in the Uris/Gershwin theater, a cavernous barn that, like 
Cinerama, is only suitable for displaying snakes or funerals.

I believe Sondheim is easily the greatest Broadway composer of the last 
sixty years, and certainly the most ambitious. It's hard to imagine 
Broadway history without him; aside from his own compositions, he also 
contributed the lyrics to two of the most important musicals of the 

I also don't know what Mr. Wilson means by "unattractive." Certainly 
parts of Sweeney Todd are not "pleasant," but deliberately so. His works 
are more "difficult" than those of many other Broadway composers; if one 
is looking for nothing but pretty songs and pretty pictures, one will 
leave disappointed.

------ Original Message ------
From: "Don" <[log in to unmask]>
To: [log in to unmask]
Sent: 11/4/2017 10:52:25 PM
Subject: Re: Halloween: Operas to Chill Your Blood By

>He might like A Little Night Music better.  After it's completely in 
>time so he could at the very least waltz to it.  Well there are some 
>passages but divide by two and you still have a waltz.
>On Sat, Nov 4, 2017 at 7:57 PM, G. Paul Padillo 
><[log in to unmask]>
>>I have to wonder what Mr. Wilson finds "unattractive" about the score 
>>Sweeney Todd, but
>>assume he would probably not find the rest of Mr. Sondheim's ouevre to 
>>to his liking
>>either, as the composer has a style that, to these ears at least, is
>>instantly recognizable and
>>unique in the world of musical theatre.
>>When asked I frequently cite Sweeney as my favorite musical, although 
>>sort of occupies a
>>short list along with Gypsy, South Pacific and Oklahoma.
>>I can't think of a Sondheim show that I'm not a fan of - some, of 
>>stronger than
>>others, but ALL with wonderful songs - e.g., "Anyone Can Whistle," 
>>* * * * * * *
>>From:   Richard Maynard Wilson <[log in to unmask]>
>>Reply-To:       Richard Maynard Wilson <[log in to unmask]>
>>Date:   Sat, 4 Nov 2017 20:36:08 -0400
>>Content-Type:   text/plain
>>text/plain (19 lines)
>>I saw Sweeney Todd in 1980 during its first national tour at the 
>>Center in DC. Memories are rather vague, but I don't recall liking it 
>>Are all Sondheim's works this unattractive?

OPERA-L on Facebook:
To UNSUBSCRIBE, send a message to [log in to unmask]
containing only the words:  SIGNOFF OPERA-L
To stay subscribed but TURN OFF mail, send a message to
[log in to unmask] containing only the words:  SET OPERA-L NOMAIL
Modify your settings:

Back to: Top of Message | Previous Page | Main OPERA-L Page



CataList Email List Search Powered by the LISTSERV Email List Manager