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Subject: Re: Applauding mediocrity
From: Sergio da Silva <[log in to unmask]>
Reply-To:Sergio da Silva <[log in to unmask]>
Date:Sat, 28 Oct 2017 21:50:59 -0400

text/plain (28 lines)

An opera singer knows very well how good/bad their performance was, some are never satisfied.

> On Oct 28, 2017, at 12:35 PM, Tom Frey <[log in to unmask]> wrote:
> The cheering standing ovation has become a ritual with American audiences and has no connection to the quality of the performance. Even at recitals it is becoming tradition. I don't know the ego of all singers, but I imagine they accept all this clamor as adulation. What I have never  seen is booing at a recital, vocal or instrumental. I've never witnessed booing at an orchestral concert or a theatrical play  or musical play . It seems to have only invaded opera. Maybe it harken back to the paid clich├ęs who booed rival singers in Europe. Americans seem to act like sheep and need to be part of the action like the fans at sport events.
> ----- Original Message -----
> From: R PRADA <[log in to unmask]>
> To: [log in to unmask]
> Sent: Sat, 28 Oct 2017 12:15:16 -0400 (EDT)
> Subject: Applauding mediocrity
>> I get disgusted that audiences now routinely stand to applaud. That means an standing ovation has lost all meaning. Also, audience members who hoot and yip approval  give me mal de mer. 
> Booing is an old tradition, but the problem is, you might be booing regime and the singers feel the pain. I used to know a group of Italians in standing room that would concert their booing, and some were even paid to do so. Very sad.
> RP

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