LISTSERV mailing list manager LISTSERV 15.5

Help for OPERA-L Archives

OPERA-L Archives

OPERA-L Archives


Next Message | Previous Message
Next in Topic | Previous in Topic
Next by Same Author | Previous by Same Author
Chronologically | Most Recent First
Proportional Font | Monospaced Font


Join or Leave OPERA-L
Reply | Post New Message
Search Archives

Subject: Re: Wrong-composer operas
From: Rich Lowenthal <[log in to unmask]>
Reply-To:Rich Lowenthal <[log in to unmask]>
Date:Fri, 13 Oct 2017 22:09:29 +0000

text/plain (91 lines)

A couple more (perhaps raising the obscurity level). There are two 
Finnish operas based on the novel Juha, one by Merikanto and the other 
by Madetoja. Both have been recorded.

There are two operas of Pique Dame in addition to Tchaikovsky's, by 
Suppe and Halevy.

There are tons of operatic Fausts.

Two composers have done operas of Wuthering Heights: Carlisle Floyd and 
Bernard Herrmann. Not sure either qualifies as "right-composer."

And apologies (again) for the pedantry, but the two Rusalkas Vesna cites 
are different stories--Dvorak's is based on the folktale, while 
Dargomyzhsky's is based on an unfinished play by Pushkin about a drowned 


------ Original Message ------
From: "Vesna Danilovic" <[log in to unmask]>
To: [log in to unmask]
Sent: 10/13/2017 12:56:40 PM
Subject: Re: Wrong-composer operas

>While posting, I momentarily forgot that Rach's FdaR was already 
>in the original post. A couple of more examples are then in order :-)
>Dargomyzhsky, a Russian composer, also wrote RUSALKA, better known to 
>us in
>Dvorak's version.
>I haven't heard Mascagni's NERONE but very much love Boito's opera with 
>same title which deserves to be more often performed/recorded, I think.
>On Fri, Oct 13, 2017 at 12:03 PM, Vesna Danilovic <[log in to unmask]>
>>What a marvelous idea for an opera series.
>>My favorite is also MACBETH though my preference remains for Verdi 
>>Bloch, whose version is indeed another masterpiece.
>>If "the same title different composers" is the game and assuming that 
>>have been staged or recorded at least once in modern times, a few more 
>>to mind (and I'm sure there must be much more):
>>PARISINA (Donizetti, Mascagni)
>>ALCESTE (Gluck, Lully)
>>MEDEE (Charpentier, Cherubini)
>>FRANCESCA DA RIMINI (Rachmaninoff, Zandonai)
>>MANON LESCAUT (Auber, Puccini; I guess Massenet would not qualify 
>>it omits "Lescaut" from the title)
>OPERA-L on Facebook:
>To UNSUBSCRIBE, send a message to [log in to unmask]
>containing only the words:  SIGNOFF OPERA-L
>To stay subscribed but TURN OFF mail, send a message to
>[log in to unmask] containing only the words:  SET OPERA-L 
>Modify your settings:

OPERA-L on Facebook:
To UNSUBSCRIBE, send a message to [log in to unmask]
containing only the words:  SIGNOFF OPERA-L
To stay subscribed but TURN OFF mail, send a message to
[log in to unmask] containing only the words:  SET OPERA-L NOMAIL
Modify your settings:

Back to: Top of Message | Previous Page | Main OPERA-L Page



CataList Email List Search Powered by the LISTSERV Email List Manager