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Subject: Re: Met Operning Night - Bellini's Norma (Calleja)
From: Miguel A De Virgilio <[log in to unmask]>
Reply-To:Miguel A De Virgilio <[log in to unmask]>
Date:Wed, 27 Sep 2017 14:53:40 +0000

text/plain (24 lines)

I concur   with Jackie , Bob and Stephen regarding Calleja's voice. I must admit that I was not too fond of the fast pronounced vibrato  
Calleja exhibited in his  early recordings (Maria Stuarda DVD) .I heard Calleja live only twice : Traviata  and more recently in recital. 
On both occasions his fast vibrato if any, was subliminal. 
-----Original Message----- 
From: Discussion of opera and related issues [mailto:[log in to unmask]] On Behalf Of Jackie Eubanks 
Sent: Wednesday, September 27, 2017 7:03 AM 
To: [log in to unmask] 
Subject: Met Operning Night - Bellini's Norma 
Regarding Calleja, I can only agree with Bob and Stephen.  I have heard Calleja live in MacBeth, Hoffmann, Faust, Rigoletto, Boheme, and Lucia, and consider him one of the finest interpreters of these roles in recent years.  And emphatically, his is NOT a tiny voice.  Having listened to Norma on Sirius, I concur that this may not have been a stellar outing for him, but will be in the house next Tuesday and can form a more accurate impression then.  Opening night jitters can afflict almost anyone, and I suspect this may have come into play.  Pollione may, or may not, be a perfect fit for him, but the roles listed above certainly are.  His fast vibrato may not be to everyone’s taste, but should not earn him the opprobrium cast dismissively on “this Calleja person.” What rot. 
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