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Subject: Re: Sirius 'Trovatore'
From: David Kubiak <[log in to unmask]>
Reply-To:David Kubiak <[log in to unmask]>
Date:Wed, 30 Aug 2017 15:07:30 -0400

text/plain (77 lines)


Thanks very much for this information, and sure enough it came from Ed.

Thank you too for mentioning Tucker's singing the "Madre infelice etc."
in the "Pira".  Corelli never did -- I suppose he was nervous about
preparing the last note, but the musical effect of having those lines gone
is terrible.

I should say too that I meant no disrespect to Tucker (or Merrill either),
who certainly had a major instrument, and was amazingly consistent in every
way.  If he ever cracked or sang a note even slightly out of tune I have
never heard it. (And in an early 'Carmen' that Sirius broadcast I was
startled by the beautiful "voix mixte" he used at the end of the duet with
Micaela, not something one normally thinks of in his vocalism.) 

I should also say that this broadcast reminded me of the sadly mutilated
condition the standard repertoire used to be presented in.  Every "stretta"
gone and of course no "Tu vedrai".  They must have cut virtually as much as
they sang.  I will never understand the thinking of the people who
originally imagined they knew better than Verdi how the music should go.

David Kubiak

On Tue, 29 Aug 2017 16:58:18 -0400, Ulrik <[log in to unmask]> wrote:

>I searched for "balen transposed" and came up with this, a post by Ed 
>Rosen from March 2007:
>"Yes, Tucker transposed the Pira a half tone, as did Corelli in every live
>performance. As did Caruso, Bjoerling after 1940, and 99% of Manricos 
>that I have heard. And yes, Merrill (and Bastianini) sometimes transposed 
>the Il balen, especially later in the Merrill career.
>This baritone aria has a tremendously high tessiture, plus two very exposed
>high G's. It is sometimes transposed even these days by certain baritones.
>You have a very good ear! A half tone is fine, in my book, because the
>tradition goes back at least 100 years. But, how was the Il balen, and how 
>were the high B naturals in Tucker's, since everyone knows that he 
>transposed it in performance? I thought they were amazing high B's.
>Does everyone know that Tucker was the only tenor (at least that I ever
>heard) that was "honest" enough to sing every single note that Verdi wrote
>between the two high notes? Listen to him singing with the chorus singing 
>every note before the final high note. Who else did that? Live, of course, 
>They all did it on recordings.
>And, come to think of it, I doubt if everyone reading the original post  knew
>that Tucker transposed the Pira. But they do now!"
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