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Subject: Re: Leontyne Price online?
From: Ghozel <[log in to unmask]>
Reply-To:Ghozel <[log in to unmask]>
Date:Sat, 15 Jul 2017 11:35:12 -0400

text/plain (49 lines)

While everyone is entitled to his opinion, it should be based on facts.  It is very odd that, since Price's phrasing was apparently terrible as Walter contends, that the Italian critics themselves said Verdi would have found Price the perfect Aida.  I guess the Italians don't understand Italianate phrasing as well as Walter does. Plus her voice was never small.  It was heard well throughout the MET.  Her singing alongside loud voices like Corelli's never suffered in comparison.

In fact, I sat in the front row of a concert she gave after retirement from the operatic stage.  Her voice had so much heft that it kept hitting my eardrum to the point it started to hurt.  No way was that voice small.

I also need to dispel the "Fanciulla killed Price's voice" nonsense.  Looking at the reviews for her Fanciulla debut, she was nothing short of glorious in the role.  In fact, after her vocal rest, she returned to sing it at the MET and on tour.  

It was a moment of deep embarrassment for her to have vocal problems in the middle of a performance, so she no longer kept that role in her repertoire.  She even said it was emotionally difficult to record an aria from it for her Puccin Heroines album.

I'll admit Minnie's not a natural fit, but the vocal issues she had were more likely due to the jam-packed schedule of tough roles and concerts she had leading up to the Fanciullas.  That schedule would have strained anyone.

Either way, after her vocal rest, she came back with a much more focused voice and repertoire.  She carefully chose what she would keep and what she would stop performing.  Sadly she never attempted roles she would have been wonderous in-- Desdemona, Elsa, Elisabetta in Don Carlo.  I don't think they fit her persona temperamentally but fit vocally.  Recordings, instead of performances, could have displayed her in these roles. She sings a fine Salome final scene on records, for example, but would have looked silly on stage.

She made sense in regal roles because that's what she naturally displayed.

Date:    Sat, 15 Jul 2017 02:43:46 +0000
From:    walter guitian <[log in to unmask]>
Subject: Re: Leontyne Price online?

Mr Winter, =C2=A0=C2=A0Thanks for letting me know that you and another post=
ers of the group have me in mind, it seems that although they criticize me,=
it seems that at least they have the doubt whether it is true or not, what=
this now baptized "Size Queen" says.For me the main problem of american so=
prano Leontyne Price is not if her voice was huge , or large or ordinary si=
ze.Logically if a singer wants to sing the dramatic repertoire and has a sm=
all voice is ridiculous but if she/he has a fair volume but the voice is he=
ard well can be a great singer, the first thing in a singer is the musicali=
ty.Being a perfect Aida , for example speaking of the role Aida, is not abo=
ut how if Leontyne Price sang the role for 25 years of if she lacked a bit =
of volume in the 2nd act ensembles or if the C in "O patria mia" is perfect=
ly focused or less focused, the main problem of Price is her phrasing is no=
t even acceptable to speak of a perfect Aida. This "Size Queen Guiti=C3=A1n=
" would not even say that her voice lacks power for the role, =C2=A0that is=
not a problem, yes it's problem for me that her voice is opaque and that t=
he first octave of her voice is without focus, this plus unpresentable phra=
sing and false taste interpretation.
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