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Subject: Re: "My Vision For Opera"
From: robert levine <[log in to unmask]>
Reply-To:robert levine <[log in to unmask]>
Date:Tue, 9 May 2017 13:16:59 -0400
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I catually hated the whole statement - give up "its adherence to beauty?"
WTF? Who gets to define beauty? Mozart? Shostakovich? Berg? Is "beauty"
ever a thing to be sunned?
What bullshit - go pick on something that hurts people. Opera doesn't ever
- it's the world's least invasive creation.
Bob L

On Tue, May 9, 2017 at 12:39 PM, Jon Goldberg <[log in to unmask]> wrote:

> Typical gobbledygook - the kind of speechifying that is usually spouted at
> "annual
> conferences" of all sorts. Why does this merit any attention at all?
>
> "adherence to structures of power" - define, please?
>
> But, Eric - Mozart certainly was a majority voice. He was a white male.
> And indeed, things
> haven't changed much in that regard. Still, it's much easier for Mosley to
> give lip service to
> diversity than for anyone to take meaningful and lasting steps to change
> the status quo.
> So undoubtedly, even with very good intentions, her words mean diddly.
>
>
>
> On Mon, 8 May 2017 23:23:11 -0400, Genevieve Castle Room
> <[log in to unmask]> wrote:
>
> >Last week at Opera America's annual conference I saw this comment by Imani
> >Mosley, a musicologist and opera scholar.
> >
> >>"They asked for our vision for opera. Here is mine. Opera -- to be
> >inclusive -- needs to abandon its adherence to structures of power, its
> >desire for beauty, and open itself to the multiplicities of human
> >experience. And program works by minority voices!!"
> >
> >----------
> >
> >It's these sorts of comments that really wind me up. It is so tiresome:
> >throwing out the babies with the bathwater...
> >
> >And does she really think that Mozart was a majority voice in 1786??
> >
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