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Subject: Re: Steber's notable strengths as a Mozartian
From: Vesna Danilovic <[log in to unmask]>
Reply-To:Vesna Danilovic <[log in to unmask]>
Date:Fri, 24 Mar 2017 01:46:00 -0500
Content-Type:text/plain
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In her autobiography, Steber also credits William Whitney, her voice
teacher in Boston, for her technique and style.

Vesna

On Thu, Mar 23, 2017 at 10:46 PM, daaaac <[log in to unmask]> wrote:

> Her teacher was Wagnerian tenor Paul Althouse.  Tucker and Varnay also
> studied with him.  Three singers dependable and consistent.
>
> Donald
> > On Mar 23, 2017, at 11:42 PM, Conrad, Stephen A. <[log in to unmask]>
> wrote:
> >
> > Would someone please remind me/us to what and/or whom should we give
> distinctive credit for helping Steber to acquire those features of her
> technique and musicianship/musicality that figured most importantly in her
> becoming one of the most praised singers of Mozart that the USA has
> produced.  Her teachers?  Bruno Walter?  And/or what all/who all else?
> >
> > Sent from my iPad
> >
> >> On Mar 22, 2017, at 7:25 PM, Richard Maynard Wilson <[log in to unmask]>
> wrote:
> >>
> >> Eleanor Steber starts the trill well, then has a bit of trouble exiting
> it,
> >> but over all it's well done:
> >>
> >> https://www.youtube.com/watch?v=GU1WUc1T584
> >>
> >> RMW
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