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Subject: Re: Bryan Himmel
From: "Max D. Winter" <[log in to unmask]>
Reply-To:Max D. Winter
Date:Sat, 18 Mar 2017 18:35:11 -0400

text/plain (31 lines)

OK, Bob, you wanted some are some low-yield lobs:

I agree that Guillaume Tell is no masterpiece.  But it contains much fine music and is well 
worth the occasional revival, when it can be cast well, as it was by the Met this season.  If our 
listening were confined to "masterpieces," how dull and lacking variety our musical life would 

Mathilde's music is fine, much of it quite beautiful (and I like the coloratura flourishes, sort of 
Rossini's last fling in the old style); the problem is that the character herself is such a cipher.  
Tell and Arnold are much more vividly drawn.

IMO Hymel's forte is in the French spinto/dramatic tenor repertoire, of which there is much 
fine and effective music and which is so difficult to sing.  And he can make a real name for 
himself (already has) focusing on that rep.  I agree that his voice is not well-suited for much 
of the more conventional Italian and French repertoire - although I would like to hear him as 
Manrico and Stiffelio.


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