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Subject: Transpositions
From: Gene Bowen <[log in to unmask]>
Reply-To:[log in to unmask]
Date:Mon, 20 Mar 2017 20:20:23 -0400

text/plain (20 lines)

Robert Sutherland, the accompanist for most of the Callas/DiStefano
concerts, wrote how difficult it was at every concert because not only did
the singers select the arias/duets to be performed as the recitals
unfolded, but they would decide before each selection whether they would be
taking the original key or a downward transposition.  So he had to be able
to play both versions of everything and that was especially difficult with

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