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Subject: Re: Carreras and his rep
From: "semiramide1945 ." <[log in to unmask]>
Reply-To:semiramide1945 .
Date:Fri, 27 Jan 2017 02:12:20 -0500
Content-Type:text/plain
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Let's let Esclarmonde sleep though- I don't think when Sybil Sanderson
finished her run of it than anyone till Sutherland (Bonynge really) thought
of it

On Fri, Jan 27, 2017 at 1:09 AM, Tom Frey <[log in to unmask]> wrote:

> I would hope for Lakme also
> ----- Original Message -----
> From: Les Mitnick <[log in to unmask]>
> To: [log in to unmask]
> Sent: Fri, 27 Jan 2017 00:27:05 -0500 (EST)
> Subject: Re: Carreras and his rep
>
> Speaking of which, I wonder if we'll ever see a real revival of Thomas'
> Mignon in our lifetime, which for some of us, aint' gonna be all that long.
> It's got some great tunes, three great singing roles for lyric mezzo,
> tenor, and coloratura soprano, and there are singers around who could
> surely do it. I've got the Sony issue of the 1945 Rise Stevens broadcast
> from the Met, and I've listened to it several times. Am surprised that the
> Met didn't think of it in the decade of the 1950s with a cast like Stevens,
> Valletti, and Peters. Mignon enjoyed great popularity in the earlier part
> of the Twentieth Century (I even have a 1938 Jennie Tourel broadcast - in
> decent sound for it's time), but I guess it's now a dead duck. Just out of
> vogue, perhaps?
>
> ----- Original Message -----
>
> From: "R PRADA" <[log in to unmask]>
> To: "OPERA-L" <[log in to unmask]>
> Sent: Thursday, January 26, 2017 11:17:01 PM
> Subject: Carreras and his rep
>
> Here is something I have learned. Some of the lowest quality information
> comes from asking why. Not only we can never know why he did what he did or
> did not do, the best guess is that he might not be able to tell you why,
> either.
> > Why did Carreras not essay Romeo, Faust, Mignon, etc?
>
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