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Subject: Re: No Met Forza - No Radvanosky
From: Bob Rideout <[log in to unmask]>
Reply-To:Bob Rideout <[log in to unmask]>
Date:Sun, 15 Jan 2017 20:00:59 -0500
Content-Type:text/plain
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text/plain (126 lines)


Amen!

Bob

On Sunday, January 15, 2017, Stephen Charitan <[log in to unmask]> wrote:

> Donald,
>
> To answer your question from my point of view - Yes and double Yes...it is
> EXACTLY to the point - if the essential component that differentiates Opera
> from other art forms is the human voice then all else must either give way
> or at very least share the stage as first among equals.
>
> Steve
>
> On Sun, Jan 15, 2017 at 7:40 PM, donald kane <[log in to unmask]
> <javascript:;>> wrote:
>
> > Is this what qualifies as the most authentic and acceptable topic for
> > an opera and opera-related discussion?  just asking.
> >
> > dtmk
> >
> > On Sun, Jan 15, 2017 at 7:30 PM, Jon Goldberg <[log in to unmask]
> <javascript:;>> wrote:
> > > But...
> > >
> > > Do we have any knowledge whatsoever that Radvanovsky does not wish to
> > appear in this
> > > production?
> > >
> > > And do we have any knowledge that IF she does not, she was "invoking"
> > anything?
> > >
> > >
> > >
> > >
> > >
> > > On Sun, 15 Jan 2017 17:49:57 +0000, Les Mitnick <
> [log in to unmask] <javascript:;>>
> > wrote:
> > >
> > >>Katalin:
> > >>There may indeed be something valid in what you say. Sondra Radvanovsky
> > can certainly
> > > do the role, and she's also now an established Norma (not to mention
> her
> > Three Donizetti
> > > Queens). It's possible that by not wishing to appear in this
> production,
> > she was invoking
> > > memories of such great divas as Callas, Tebaldi, Sutherland, Price, and
> > Caballe ----------- all
> > > of whom would take a stand and even threaten to withdraw rather than to
> > appear in
> > > productions which are unfortunately the rule rather than the exception
> > today.
> > >
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