LISTSERV mailing list manager LISTSERV 15.5

Help for OPERA-L Archives

OPERA-L Archives

OPERA-L Archives


Next Message | Previous Message
Next in Topic | Previous in Topic
Next by Same Author | Previous by Same Author
Chronologically | Most Recent First
Proportional Font | Monospaced Font


Join or Leave OPERA-L
Reply | Post New Message
Search Archives

Subject: Re: Salome
From: Jon Goldberg <[log in to unmask]>
Reply-To:Jon Goldberg <[log in to unmask]>
Date:Sun, 18 Dec 2016 13:38:56 -0500

text/plain (33 lines)

Not really. It says, word for word, that he turns and *sees* Salome. ("Se retournant et 
voyant Salome.") Obviously it's clear that his command is to be acted upon Salome, but 
there's no reason why it couldn't be said in Herodias' direction, just to rub it in, as Ryan 
suggested. We know who he's talking about. 

And if you think about it, the most obvious direction of the line would be to the soldiers - 
he's giving *them* the command to kill her, after all. Again, we know  - and they know - 
who he's talking about. ;-)

(Interesting that the opera's libretto only says "sich umwendend" - turning around - and 
leaves out Wilde's specifics that he sees Salome. But again, it's already pretty obvious 
what's going on, and we know who he's singing about.)

On Sun, 18 Dec 2016 10:39:51 -0500, donald kane <[log in to unmask]> wrote:

>Ryan's "interpretation" is plausible, but Oscar Wilde's play which the
>libretto is based on, word for word, specifically aims Herod's command at

OPERA-L on Facebook:
To UNSUBSCRIBE, send a message to [log in to unmask]
containing only the words:  SIGNOFF OPERA-L
To stay subscribed but TURN OFF mail, send a message to
[log in to unmask] containing only the words:  SET OPERA-L NOMAIL
Modify your settings:

Back to: Top of Message | Previous Page | Main OPERA-L Page



CataList Email List Search Powered by the LISTSERV Email List Manager