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Subject: Re: "Ungrateful roles" and why
From: James Bodge <[log in to unmask]>
Reply-To:James Bodge <[log in to unmask]>
Date:Thu, 8 Dec 2016 17:55:15 -0500

text/plain (53 lines)

Bob is spot on with his asessment of the quality of various roles, 
except that I would call Telramund a terrific role. Check out Schoffler, 
Schorr, McIntyrer or Stewart, as well as the great Hermannn Uhde. A good 
singer can enliven any part - even the AIDA Messenger.

I''m an actor who specializes in just these kind of "ensemble", or 
supporting, roles.  They are very rewarding assignments in  the way they 
  dominate for a few minutes and then revert to a quieter place in the show.

There are even rewards in parts like Morales in CARMEN. You'll only 
notice him if he is bad.

Jim Bodge

On 12/6/2016 2:46 PM, Bob Rideout wrote:
> Wow! I'm on a different planet, or somethin'.
> I think Brangane is a very grateful role, if you can sing it.
> Christa Ludwig and Tatiana Troyanos are only two who
> left indelible marks.
> And a great Amonasro will be remembered for a looooong
> time if he can pull off "pensa che un popolo, vinto,
> straziato. Per te soltanto risorger puo". When sung with the
> right tone and intensity, it can be the most memorable moment
> in the opera.
> I agree about Telramund, except when Hermann Uhde sang it.
> A performance never to be forgotten! It was frightening. He was
> utterly magnificent.
> Bob

James Bodge

You only need two things: WD-40 and Duct Tape.  If something moves and 
it shouldn't, use the Duct Tape.  If it won't move and it should, use 
the WD-40.

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