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Subject: Re: Piotr Beczala visits Met Archives; interesting interview
From: Donald S <[log in to unmask]>
Reply-To:Donald S <[log in to unmask]>
Date:Sun, 11 Dec 2016 09:04:47 -0700
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Way back in the late 60's or early 70's,  Birgit Nilsson made an acoustic recording of Brunnhilde's entrance Ho yo to ho.   

Donald 

Sent from my iPad

On Dec 10, 2016, at 12:05, kurt youngmann <[log in to unmask]> wrote:

>> On Dec 10, 2016, at 12:33 PM, Vesna Danilovic <[log in to unmask]> wrote:
>> 
>> I watched this interview and cannot praise it enough. It's much less about
>> Beczala, though it could be of interest to his admirers as well, and more
>> about operatic vocal art in general. Incredibly interesting ideas from a
>> singer who clearly has a great sense of connection with the past.
> 
> That was the impression I had as well. I’ve often wondered how many singers pay attention to the way their predecessors sang - technically, stylistically and interpretatively. Beczala does know his tenor history.
> 
> 
>> I think
>> his desire to do a recording with the technology available ca. 1910 would
>> be a marvelous service to all of us, so that, as Beczala generously offers,
>> we can compare a tenor sound we hear today with modern technology or live
>> with that from the Caruso times. 
> 
> In fact, Roberto Alagna did this back in the 90s. He recorded “Musica proibita” on an old acoustic machine. Quite interesting to listen to.
> 
> Kurt Youngmann
> 
> 
> We have evolved to survive reality, not to understand it. - Mark Crislip MD
> 
> 
> 
> 
> 
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