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Subject: Re: Erede conducting early Tebaldi Decca discs.
From: Bill Heron <[log in to unmask]>
Reply-To:Bill Heron <[log in to unmask]>
Date:Sat, 19 Nov 2016 18:28:57 -0500
Content-Type:text/plain
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text/plain (81 lines)


No, Basile.

-----Original Message-----
From: Discussion of opera and related issues
[mailto:[log in to unmask]] On Behalf Of John Schweger
Sent: Saturday, November 19, 2016 5:35 PM
To: [log in to unmask]
Subject: Erede conducting early Tebaldi Decca discs.

In addition to all the comments on who was and was not available, wasn't
Tebaldi "going with" Erede during these years?


________________________________
From: Discussion of opera and related issues <[log in to unmask]> on
behalf of Vesna Danilovic <[log in to unmask]>
Sent: Saturday, November 19, 2016 7:20 AM
To: [log in to unmask]
Subject: Re: Clarification of my Tebaldi - Manon Lescaut comment

On Sat, Nov 19, 2016 at 1:46 AM, Max Paley <[log in to unmask]> wrote:
>
> Decca was still a "scrappy" company then, looking to acquire names 
> that would compete with the impressive EMI and RCA rosters.  Aside 
> from Tebaldi, they were stronger on the German/Viennese side 
> (particularly for
> conductors) than on the Italian side.  Di Stefano seemed like a catch.
>

The choice of Erede, a dull conductor, is still a mystery to me. His routine
conducting often mars many of the Tebaldi's studio recordings from the early
to mid-50s, when her voice was most glorious.

Vesna

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