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Subject: Erede conducting early Tebaldi Decca discs.
From: John Schweger <[log in to unmask]>
Reply-To:John Schweger <[log in to unmask]>
Date:Sat, 19 Nov 2016 22:34:34 +0000
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In addition to all the comments on who was and was not available, wasn't Tebaldi "going with" Erede during these years?


________________________________
From: Discussion of opera and related issues <[log in to unmask]> on behalf of Vesna Danilovic <[log in to unmask]>
Sent: Saturday, November 19, 2016 7:20 AM
To: [log in to unmask]
Subject: Re: Clarification of my Tebaldi - Manon Lescaut comment

On Sat, Nov 19, 2016 at 1:46 AM, Max Paley <[log in to unmask]> wrote:
>
> Decca was still a "scrappy" company then, looking to acquire names that
> would compete with the impressive EMI and RCA rosters.  Aside from Tebaldi,
> they were stronger on the German/Viennese side (particularly for
> conductors) than on the Italian side.  Di Stefano seemed like a catch.
>

The choice of Erede, a dull conductor, is still a mystery to me. His
routine conducting often mars many of the Tebaldi's studio recordings from
the early to mid-50s, when her voice was most glorious.

Vesna

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