LISTSERV mailing list manager LISTSERV 15.5

Help for OPERA-L Archives

OPERA-L Archives

OPERA-L Archives


Next Message | Previous Message
Next in Topic | Previous in Topic
Next by Same Author | Previous by Same Author
Chronologically | Most Recent First
Proportional Font | Monospaced Font


Join or Leave OPERA-L
Reply | Post New Message
Search Archives

Subject: Re: Clarification of my Tebaldi - Manon Lescaut comment
From: Vesna Danilovic <[log in to unmask]>
Reply-To:Vesna Danilovic <[log in to unmask]>
Date:Sat, 19 Nov 2016 08:20:01 -0500

text/plain (26 lines)

On Sat, Nov 19, 2016 at 1:46 AM, Max Paley <[log in to unmask]> wrote:
> Decca was still a "scrappy" company then, looking to acquire names that
> would compete with the impressive EMI and RCA rosters.  Aside from Tebaldi,
> they were stronger on the German/Viennese side (particularly for
> conductors) than on the Italian side.  Di Stefano seemed like a catch.

The choice of Erede, a dull conductor, is still a mystery to me. His
routine conducting often mars many of the Tebaldi's studio recordings from
the early to mid-50s, when her voice was most glorious.


OPERA-L on Facebook:
To UNSUBSCRIBE, send a message to [log in to unmask]
containing only the words:  SIGNOFF OPERA-L
To stay subscribed but TURN OFF mail, send a message to
[log in to unmask] containing only the words:  SET OPERA-L NOMAIL
Modify your settings:

Back to: Top of Message | Previous Page | Main OPERA-L Page



CataList Email List Search Powered by the LISTSERV Email List Manager