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Subject: Re: Clarification of my Tebaldi - Manon Lescaut comment
From: tom ponti <[log in to unmask]>
Reply-To:tom ponti <[log in to unmask]>
Date:Sat, 19 Nov 2016 12:42:13 +0000
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I am probably the only person who purchased the Scotto Butterfly, Callas second Tosca, Sills Lucia, and the Angel Forza because of Bergonzi, not the divas. I purchased the RCA Traviata because of Caballe and Carlo, who IMO, stole the show.


________________________________
From: Discussion of opera and related issues <[log in to unmask]> on behalf of Rudi Van den Bulck <[log in to unmask]>
Sent: Saturday, November 19, 2016 2:39 AM
To: [log in to unmask]
Subject: Re: [OPERA-L] Clarification of my Tebaldi - Manon Lescaut comment

But Bergonzi's voice was phonogenic, he showed up on time, always knew his
music and was well prepared, he was patient with retakes and, basically,
cast and crew found him a refreshing delight to work with.

Max Paley

All true yet in spite of this all : Bergonzi didn't sell......

RvdB

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