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Subject: Re: Recorded arias that are supreme historic examples of Mozart singing?
From: John Boenzi <[log in to unmask]>
Reply-To:John Boenzi <[log in to unmask]>
Date:Fri, 23 Sep 2016 08:45:18 -0700
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More recently, I'd vote for Carol Vaness singing "Come scoglio" in the complete Cosi.

John



On September 23, 2016 3:33:52 AM PDT, Bob Rideout <[log in to unmask]> wrote:
>I am not sure that it is a supreme historic example of anything, but
>Frieda
>Hempel's
>"Der Holle Rache" is tons of fun. The interpolations are as thrilling
>as
>they are
>unexpected, and, it is, at the least, brilliantly executed.
>
>Bob
>
>On Thursday, September 22, 2016, Conrad, Stephen A.
><[log in to unmask]>
>wrote:
>
>> Please give me tips to share with a student that will fill the bill
>as
>> above specified.
>> I am starting him off with an example that is about as unimpeachable
>as I
>> know of: John McCormack's "Il mio tesoro."
>>
>> Ivoguen's Queen of the Night arias, yes?
>>
>> examples that are "beyond reproach"?   "human approximations of
>Mozartian
>> perfection," a la Clara Haskil . . . ?
>>
>> Less a consensus classic, but an example that for me fills the bill
>is a
>> 1956 live "Ach, ich fuehls" by Gruemmer.
>>
>> Pray give me your tips; and your comments would be doubly welcome.
>>
>> Sent from my iPad
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