I am not sure that it is a supreme historic example of anything, but Frieda
Hempel's
"Der Holle Rache" is tons of fun. The interpolations are as thrilling as
they are
unexpected, and, it is, at the least, brilliantly executed.
Bob
On Thursday, September 22, 2016, Conrad, Stephen A. <[log in to unmask]>
wrote:
> Please give me tips to share with a student that will fill the bill as
> above specified.
> I am starting him off with an example that is about as unimpeachable as I
> know of: John McCormack's "Il mio tesoro."
>
> Ivoguen's Queen of the Night arias, yes?
>
> examples that are "beyond reproach"? "human approximations of Mozartian
> perfection," a la Clara Haskil . . . ?
>
> Less a consensus classic, but an example that for me fills the bill is a
> 1956 live "Ach, ich fuehls" by Gruemmer.
>
> Pray give me your tips; and your comments would be doubly welcome.
>
> Sent from my iPad
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