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Subject: Re: Johanna Gadski
From: "George B. Parous" <[log in to unmask]>
Reply-To:George B. Parous
Date:Tue, 25 Sep 2012 20:57:16 -0400

text/plain (36 lines)

One of the more interesting facts I came across while documenting and 
compiling what I believe to be a "complete" chronology of her American 
performances, both in opera and concert, is the number of times she sang the 
role of Micäela. Looking at her performances with the Met only, years ago I was 
puzzled as to why this German dramatic soprano of the more "heroic" mold had 
sung the smaller French role exactly once.

But after I had tracked down her performances with the Damrosch, then 
Damrosch-Ellis, and, finally, Ellis companies, I found that the role had loomed 
rather largely in her repertoire in the 1890s, and that she had sung the part 
(almost always receiving excellent reviews) in cities including Philadelphia, 
Boston, San Francisco, Chicago, Cincinnati, Louisville, Los Angeles, 
Sacramento, Omaha, Minneapolis and elsewhere, in several locations more than 
once. Her debut in the role took place in Philadelphia in early January 1897, 
with none other than Calvé as the "guest artist" Carmen.

Also going back to the days of relying on the Met annals, I was surprised to 
find elsewhere that she was singing Brünnhilde in “Die Walküre” and “Siegfried” 
as early as December 1897.

I, too, find that Victor's constant experiments with recording techniques 
rendered many of her commercial recordings less than impressive, and that her 
Mapleson cylinders are quite thrilling.

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