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Subject: Re: Domingo's Conducting Skills
From: Sergio da Silva <[log in to unmask]>
Reply-To:Sergio da Silva <[log in to unmask]>
Date:Thu, 11 Feb 2010 11:31:13 -0500

text/plain (56 lines)

I'm not sure about #1. A a professional musician in an orchestra which has
many different conductors as a guest, said Domingo is a good conductor, he
said "at least he can count", so specifically about maintaining tempo, he
said many much more famous conductors can't count.
I heard him conduct many times and I have to confess it never bothered me,
I've been bothered by other conductors some more famous.
There is a very good article on Opera News about singers as conductors:

One thing I do agree is it takes time and Domingo is super busy, maybe when
he retires from singing he can perfect this other craft. The other thing is
his posture is still too rigid, not very relaxed as you correctly put.

On Thu, Feb 11, 2010 at 2:33 AM, Tom Wikman <[log in to unmask]> wrote:

> Paul Ricchi wrote:
> "Why is it a given the Domingo's conducting skills are below average?
> Perhaps they are, but I'd like to hear some detailed specifics from those
> who hold that view."
> First of all, I don't know why being a great tenor should qualify (or
> unqualify) anyone from being a conductor.
> So here's my two cents on Domingo.
> 1)   He often has trouble setting and maintaining a singable tempo. Doing
> it with your arms, not your voice is a wholly different bag.
> 2)   He can become unaware of what the singer is doing in terms of rubato,
> dynamics etc.  There was a Met Boheme where Netrebko had to just plunge
> ahead with Si, mi chiamano Mimi, because he had completely lost contact with
> her.  He finally woke up.  Others, with not so strong a will as AN, have
> been hung out to dry.
> 3)    Recitatives become risky with PD.  I've heard some nail-biters.  It
> requires great alacrity, and super stick technique to both lead and be able
> at a moment's notice to follow.

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