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Subject: Re: Strauss Operas
From: [log in to unmask]
Reply-To:[log in to unmask]
Date:Mon, 1 Dec 2008 15:16:42 -0500

TEXT/PLAIN (39 lines)

On Mon, 1 Dec 2008, Jon Alan Conrad <[log in to unmask]> wrote:

> ...I've come to love Frau 
> enormously, but it didn't happen quickly. I had to think about what the story 
> meant to me (as opposed to what it may have meant for Hofmannthal)...

Which reminds me that years ago, when I read the Hofmannsthal-Strauss 
correspondence, I was kind of shocked.  My impression was that the two were on 
opposite sides of the ring, and somehow, whatever Strauss did, Hofmannsthal 
would eventually praise.  He seemed thankful that someone would set his work.

After ROSENKAVALIER, it seems to me (from my memory) that Hofmannsthal was 
almost exclusively interested in supernatural things.  He relishes what 
supernatural magic a character or scene can convey and almost never talks 
about their human aspects.  Somehow Strauss always seemed to hone on
humanity and not the supernatural ones.  From this point of view, the 
correspondence is less valuable than one would expect.

Am I misremembering, or is this dichotomy well-known?

Bob Kosovsky, Ph.D. -- Curator, Rare Books and Manuscripts,
Music Division, The New York Public Library for the Performing Arts
   Listowner: OPERA-L ; SMT-TALK ; SMT-ANNOUNCE ; SoundForge-users
--- My opinions do not necessarily represent those of my institutions ---

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