LISTSERV mailing list manager LISTSERV 15.5

Help for OPERA-L Archives

OPERA-L Archives

OPERA-L Archives


Next Message | Previous Message
Next in Topic | Previous in Topic
Next by Same Author | Previous by Same Author
Chronologically | Most Recent First
Proportional Font | Monospaced Font


Join or Leave OPERA-L
Reply | Post New Message
Search Archives

Subject: Purely Perfecto PASQUALE at Philadelphia
From: [log in to unmask]
Reply-To:[log in to unmask]
Date:Sun, 17 Oct 2004 18:06:54 EDT

text/plain (81 lines)

The second opera in the season here commenced on Friday night and I caught 
today's matinee. It will run for another 2 weeks, so this might be something to 
consider if you like Donizetti and great young quality singers. The Opera 
Company of Philadelphia deserves many bravos for casting these great young singers 
of today!
Don  Pasquale-Kevin Glavin
Malatesta-Earle Patriarco
Ernesto-Jesus Garcia
Norina-Sari Gruber
Notary-Dimitirie Lazich

Conductor-Corrado Rovaris
Sets & Costumes-Allen Moyer
Director-Leon Major

This wonderful production came from Glimmerglass and NYC Opera, where I first 
saw it several years back. What is hardest to believe here is that the same 
production team created the confusing Faust last night! The stage has about 30 
flickering candles across the front edge for the entire show, and a stage 
curtain that looks like a triptych of a door and niches in a kind of Tuscan 
faux-fresco style. The curtain rises to reveal a heavily curtained four poster bed 
from which Pasquale emerges in a nightshirt. Malatesta is dressed in a black 
Elizabethan-like garb as are the servants. Speaking of Malatesta, Mr. Patriarco 
never ceases to amaze me. At the Met this year, I saw his Taddeo, then he 
proceeded to a superb Rance at Glimmerglass, and now Malatesta; this superb 
baritone should go far for his versatility alone.

Ernesto sported maroon fancy clothes in a VanDyke looking wig. The comedy got 
started very fast with "Io Pasquale di Corneto" where the Don strips down and 
takes a foot bath, then dresses in the most foppish of outfits including red 
stockings with ribboned garters. There were lots of laughs. Mr. Garcia's 
"Sogno soave" nicely balanced the comic side as his uncle got corseted and primped.

This production makes Norina a true actress in that the second scene takes 
place in a theater where she works and she starts her aria as a break in 
rehearsal, reading for the other actors. Ms. Gruber is another heroine this weekend 
that LOOKED right for the part and sang like a dream, making this production so 
much the better. Her opening aria was nice, but the ensuing "Pronto io son," 
had her in high gear for this superb finale duet.

Act II used the same scene as Act I scene i with just some chairs and a 
table, The servants carried out Ernesto's trunk with him, and then he returned to 
sing his aria of rejection. Pasquale trying on different wigs ended up with one 
in his hand when Malatesta and "Sofronia" enter. This wig stuck, so to speak, 
with the action throughout the act. The fast quartet ending the act was done 
at defying speed with great agility from the singers and orchestra, a great 
credit to all!

Act III brought lots of crates and ladders for the house makeover, with 
Pasquale looking a bit like a moping Ben Franklin in the corner. The slap from 
Norina was a stop action that got everyone's attention and actually made it 
possible for us to see her remorse (in an aside).
The glorious duet, "Chieti, chieti" for Messers. Glavin and Patriarco was 
deftly handled in front of the curtain with the former in an antique wheelchair 
with compress on his head. How could this not be a success?

The garden scene was simple with trees and a back hanging and I was moved by 
Mr. Garcia's painful tone in the "Com'e gentil." The worst part of the 
afternoon came when I had to leave the house mid-aria (at 5PM) in order to catch the 
train I am on so I make the 730pm recital by EWA PODLES in Baltimore. That's 

Washington, DC 
on the road with his laptop
[log in to unmask]
"Uns is gegeben, daß wir immer meinen, anderswo wäre das Glück, und so 
beneiden wir alle, die anders sind."--Reisebuch aus den Österreichen Alpen by Ernst 
translates as:
It is our lot always to imagine that happiness lies elsewhere, and so we envy 
all things that are different.
"The lure of travel set my heart afire"--Erich Korngold from DIE TOTE STADT
"If you ask me what I came into this world to do, I will tell you I came to 
live out loud"--Emile Zola
****************LIFE IS A CABERNET!

* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *
For help on commands, files, pictures, etc., visit the homepage:

Back to: Top of Message | Previous Page | Main OPERA-L Page



CataList Email List Search Powered by the LISTSERV Email List Manager